Chris is the founding director of Designscape Architects. Whilst at Designscape, he has been responsible for a diverse range of projects; Science Studio, art gallery, production and archive facility for Damien Hirst, Hill Farm Dairy, Park Grounds Energy Recovery facility and a number of award winning residential projects including Twinneys House, Innox Lodge and Chilliswood House, Bath. He has a particular interest in sustainable design and creative re-use.
Formerly a senior project architect at Feilden Clegg Bradley Studios, he held overall responsibility for the £23m Portland Square Building at the University of Plymouth and also worked on the technical design issues of the 2008 RIBA Stirling Prize winning Accordia Housing in Cambridge. Chris regularly contributes to the Masters Degree course at the University of Bath and is a member of The Devon and Somerset Design Review Panel. Chris trained at Portsmouth University and is a former President of the Bristol Society of Architects and Chairman of the RIBA Bristol and Bath Branch.
Spencer joined Designscape as co-director in 2010. Whilst at the practice he has been Project Director responsible for a wide range of residential and non-residential projects from inception to completion, including; Exactaform Tools, Coventry; Springfield Farmhouse, 7-9 Bannerdown, Bath and Hillcrest Houses, Bristol and the Avenue Minehead.
Prior to joining Designscape, Spencer was for five years a director of Angus Meek Architects in Bristol, where he was responsible for a range of new build and refurbishment projects for both end user and developer clients, from concept design through to construction and completion. These projects included the headquarters and distribution building for medical supplies company Vygon UK in Swindon, and residential schemes such as the award winning Praedium, a development of 95 apartments and 11 houses in Redland Hill Bristol for Crosby Homes. He has also worked on several student accommodation projects in Bristol, including the 356 room Dean’s Court whilst working for Alec French Architects.
Spencer had previously worked in London for ten years, first for Alsop Lyall and Stormer then John Lyall Architects, on a diverse range of prestigious projects including Tottenham Hale rail and underground stations, Harry Ramsden’s Fish restaurant in Cardiff Bay and Listed Corn Exchange and Third White Cloth Hall in Leeds. Afterwards joining Foggo Associates where he worked on a number of influential and award-winning office buildings in the City of London; 60 Queen Victoria Street, Cannon Street Station and 288 Bishopsgate.
Lauren joined Designscape after relocating from Yorkshire in 2016 and has worked on a range of projects whilst at the practice, most notably acting as Project Lead for the residential projects Biddestone Schoolhouse and Park Cottage. She completed her Part 3 course with distinction to become a fully qualified Architect at the beginning of 2019, and was promoted to Associate in September 2020.
Lauren graduated from Oxford Brookes University in July 2016, where she achieved her Masters in Architecture and obtained her RIBA Part II Award. Her self-directed final year project explored the City of Rotterdam, focussing in realised and unrealised architecture. She culminated her two years with a nomination for the Outstanding Work Award.
Josh joined Designscape in 2015. Whilst at the practice Josh has led a number of our projects, most notably Exactaform Tools, Coventry, and Park Grounds Energy Recovery facility.
Josh joined Designscape after relocating from London, where he had spent two years completing a two-form entry primary school and running a Diploma Studio at the Cass for AOC Architecture.
Prior to this he spent a year at the urban design consultancy Publica following the completion of his Part II at The Cass; working on strategic documents for London Councils and large developers for Soho, Covent Garden and Paddington. His self-directed final year project was nominated for the RIBA Silver Medal. The project explored the potential of Architectural Residency and involved setting up a Studio and Museum in the Whitgift Shopping Centre in Croydon.
As well as Architecture Josh has also worked in stage design including the set for the Popelei production of Knowledge of Angels. Josh completed his Part III course at UWE in 2018 and is working on a range of projects in the office.
Livia joined Designscape in September 2017, bringing with her a diverse range of expertise on a range of projects, whilst also developing her interests in Building Information Modelling.
Livia is an ARB registered Architect, qualifying at Budapest University of Technology and Economics and spending one term on her final project as an Erasmus student at Universidad de Sevilla. She completed her postgraduate studies at Budapest UTE Dep. of Urbanism and the Hungarian Architects’ Association’s Master Course with work experience at Foldes & Petho Architects and MCXVI Architects in Budapest.
Following her studies Livia relocated to UK to work at FCB Studios on projects such as Bath Western Riverside & Compston Mill. She moved onto smaller scale projects at Jacques Partnership and Stonewood Design. More recently she has been setting up and coordinating BIM Level 2 delivery of landscape design for Lancaster University Management School at LT Studio Landscape Architects.
Hilary joined Designscape Architects as our office manager in the spring of 2012. She has a passion for contemporary architecture and works closely with the directors and the rest of the team to ensure the smooth running of the practice.
James studied at Oxford Brookes University where he graduated with Distinction and was awarded for his final year project in Havana. He has completed a selection of digitally fabricated pavilion and furniture projects that informed his MArch dissertation on digital craft, which was nominated for the 2016 RIBA President’s Medal.
James has a keen interest in the interaction between digital and physical making, having contributed to the research and development of robotic tools for cutting fluted joints in bamboo.
His final projects at Bath included a three-month master planning project in Cadiz, and his final design project, ‘The Cadiz wind turbine blade recycling and remanufacturing plant’, a modulating building which explored complex structural solutions and the innovative use of GRP and Polycarbonate.
Prior to his academic studies max undertook his City & Guilds in Marine Construction, Systems Engineering and Maintenance – constructing his own clinker-built boat in this time and developing a keen interest in traditional methods of timber construction and the use of modern materials in marine systems.
Thomas joined Designscape in August 2023 after completing his Part 1 at the University of Bath. He will be with us for 6 months whilst he completes a placement period as part of his MArch course also at the University of Bath.
Thomas’ final degree project was a special educational needs school, based in Oxford. This project enabled him to follow his interest of providing sustainable and high-quality learning environments that are relevant for the 21st century.
As part of his placement during undergraduate studies, he worked at a small country practice in Oxfordshire where he had the opportunity to work on many smaller projects, and is keen to continue his direct hands – on experience of architectural projects in his placement at Designscape
Katie joined Designscape in 2023 after graduating from her undergraduate degree at the Bartlett School of Architecture at University College London.
Prior to starting her Architecture degree at UCL Katie completed an Art Foundation course at Exeter School of Art. She has returned to the South West for a year’s internship with Designscape whilst deciding where to go back to University for her Master’s degree – the next step in her Architectural education.
During her second year at UCL, Katie developed a coded data collection process to reconnect fragmented photogrammetry elements. The outcome saw a re imagined building grown within the contextual void.
Katie’s final year project was located in Serbia on the site of the remains of the old National Library. The project aimed to restore the site’s history by combining visual storytelling with structural principles to create an archive and workshop for a traditional Serbian textile.
Katie explored the application of woven patterns in the construction of charred and steam-bent timber panels. The project renewed the once destructive nature of fire as a constructive material transformation tool.